"Alma Tadema als amateur-egyptoloog." Bulletin van het Rijksmuseum 28, no. 1865, present whereabouts unknown) may be an oil sketch for The Met's picture. 2, notes that "Egyptian at his Door" (ca. Victorians in Togas: Paintings by Sir Lawrence Alma-Tadema from the Collection of Allen Funt. 25, lists it as opus XXVI, "Egyptian at his Door," and dates it 1865. The Late Works of Sir Lawrence Alma-Tadema O.M., R.A., R.W.S. 33–34, as "An Egyptian at his Doorway" discusses the care Alma-Tadema put into its preliminary sketches. 10, as "The Egyptian at his Doorway" discusses it as Alma-Tadema's first application of genre painting to antique subjects and calls it "the forerunner of innumerable other pictures conceived in the same spirit". Alma Tadema, Royal Academician: His Life & Work. Carel Vosmaer, Laurence Alma Tadema, and C. 190 (etching by Edmond Ramus), as "Egyptien à l'entrée de sa demeure," in the collection of Sir Henry Thompson. 85, calls it "Comme l'on s'ennuyait" and identifies it as Alma-Tadema's final painting completed in Antwerp describes it as "an admirable Egyptian subject, a handsome young priest, in an attitude of dejection, leaning against one pillar of the doorway of his house". A." Illustrated Biographies of Modern Artists. Aegypten in Bild und Wort: dargestellt von unseren ersten Künstlern.
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